Adding Color

Letter # 13 part 5 Adding Color


Now you have the ability to hear the music and interpret those sounds as physical movements. Consequently, if you can squeeze and release to Dance of the Sugar Plum Fairy, You should also have the ability to squeeze your internal vaginal muscles to the rhythm of any song.


Let’s combine the two of those things together with a glass toy and a spot of organic coconut oil.

If you don’t have the Dance of the sugar plum fairy memorized by now… Here is the link again.https://www.8notes.com/scores/7323.asp


Sexual Choreography:
Listen to the first 30 seconds of the music then see if you can fit the following words to match what the music says to me. Once you get a “handle” on how I physically view/hear/feel the notes and how they correspond to physical movement, try actually doing the choreography.

This is a good second step as there are more levels above this intermediate one which I will discuss with you once you have this well-in-hand.


Let’s go back to the Dance of the Sugar Plum Fairy with some new lyrics.
Start by singing these phrases to the Dance of the Sugar Plum Fairy tune ala Julie Andrews in the Sound of Music… because these are a few of my favorite things.


First four bars:
From knee up to inner thigh, place cold glass tip to soft warm clit, circle softly,


Bars five to… (“twisting” starts at the melody)
Twisting smoothly first go to the right, switch to the left, towards the front and now go to the back, spiiin it out,


Bar nine to…
Gently slide in twisting to the left, then the right, now go back to front, swing full circle, use to muscles push it out,


Bar thirteen…
Twisting smoothly first go to the right, switch to the left, towards the front and now go to the back, spiiin it out,
Slide all the way in, slide all the way out, twisting go back, insiiiiide


Ok you should be at the 30 second mark at this point. There’s about 2:10 left to go… add the toy now that you have some words of instruction and see what happens.


I’ll let you have some fun with this… your own personal creativity should be stimulated by now.

LoVe you,

C. Change

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The Nutcracker Ball

Letter #13 Part 4 The Nutcracker Ball


Do you have the fingertip trick down pat? Good.
Can you squeeze your internal muscles to the music?

Just start by tightening and releasing to the notes.

Once you get a “constricting handle” for physically interpreting (view/hear/feel) the notes and how they correspond to physical movement, try actually creating muscle pumping choreography. This is a good second step as there are more levels above this intermediate one which I will discuss with you once you have this well understood.

If you do have the sheet music handy… Open the link below and watch the music.

https://www.8notes.com/scores/7323.asp


First four bars:
Tighten and release using each pluck of the string instruments to either tighten or release.


This next part gets a little harder in bar five as staying with the music is going to be a challenge initially.


Pulse tighten to each note.


When you hear the clarinet travel down the scale, relax. Start the process again with the next set of bars.


Ok you should be at the 30 second mark at this point. There’s about 2:10 left to go… but why should I tell you how to choreograph your sex… put a little thought into your movement.


Obviously performing to just this one tune from Tchaikovsky is going to be far more taxing than Bust a Move by Young MC but I believe it is worth it.

https://www.google.com/url?q=https://m.youtube.com/watch%3Fv%3DtZQQGX24Teg&sa=U&ved=0ahUKEwjf6uHOt8TgAhUm4IMKHeOFBIQQyCkIEDAA&usg=AOvVaw3gTWd_dskOKgH4avx8Q_5a

Love you,

C. Change

The Nutcracker

Letter #13 part 3 The Nutcraker


I don’t know how many times I performed in ballet scores of The Nutcracker from the mind of Tchaikovsky. After about the 1000th time hearing the Dance of the Sugar Plum Fairy, one tends to hear this in their sleep.


As an adult, my significant other would give my best girlfriend and me tickets to go see the latest visiting troupe do the performance.


I often wondered why men found the ballet so boring. Were they not musically inclined? Did the notes not whisper sweet nothings in their mind? Were the long legs flinging in the air not a turn on? All those pretty sparkle costumes wrapped around svelte contortionist bodies unable to ignite some part of the sexual brain?


Ballet and Opera, in my world, were symphonies with visuals. Who can’t be moved hearing a harp?


What if those who prefer a good mud-wrestling match over a ballet just need a mental perspective nudge into novel culture to tie those brain connecting dendrites in new ganglia patterns? Maybe if they thought of music the same way I did, going to the ballet, would be a much more entertaining process.


I know I talked about classical music and sex in Rhythm and Sex, (Letter #13 part 1). If you are having any trouble independently moving body parts to the music, take a look at the prima ballerina of any ballet or winners of talent, pole and dancing shows. For fun, let me give you a peek into my sexually deranged mind. I have an inkling this may help you get “the gist” of the grind in a new and enjoyable way.


Follow the series of the letters, in which I will explain a logical methodology for breaking the whole into pieces you can master. (Initially by yourself, with a toy and then a partner… crawl, walk, then run.)


Start with your ears and fingers:
Listen to the first 30 seconds of Tchaikovsky’s Dance of the Sugar Plum Fairy.


Link below to sheet music to visualize this while hearing it if you don’t have a copy handy. 8notes.com

https://www.8notes.com/scores/7323.asp


Practice idea number one:
Let’s start by opening the palm of your left hand and tapping the notes you hear at the time you hear them on the left hand with the right hand.


Were you able to tap in the exact same spot the whole time or did you move the point of tap around on the palm?
If you had the exacting ability to hit the same spot over and over again, amazing!


Practice idea number two:
Let’s take this rhythm challenger to the fingertips. This time, I want you to replay the first 30 seconds of the music and each time you hear a note, gently touch the tip of your index finger on your right hand to the tips of alternating fingers on the left hand.


This practice allows you to hear notes and create a pattern of movement.


Try this again with the fingertips of both hands slightly apart and when you hear the music, touch each set of corresponding fingertips to the other starting with index for the first note, middle finger for the second note, ring finger for the third note, pinky finger for the fourth note and thumb for the fifth note. The sixth note can either be the pinky and the seventh being ring finger or the sixth can be index finger with the seventh being middle finger. It all depends on how dexterous you are.


The inclination will be to use the same finger during the quick repeated notes but I want you to switch finger tip touches for every single note. I don’t need you to assign a letter of the scale for each note to a specific finger because I know you can already do that from your musical instrument training.


Those that never learned to play an instrument should learn how to assign a key per finger and enjoy figuring out which two letters overlap the five finger availability.


What I am asking you to do is a training method you can practice in public that will pay off in spades for great sex later on.

Love you,

C. Change

Classical, Music and Commercials on television.

For anyone who had an un-memorable sexual Valentine’s Day coupling or for those who want to add a little spice to life, I invite you to read the Letters2Jamison. Being able to accomplish the training exercises included in the series of Letter #13 will definitely raise your (and your partner’s) sexual bar.

Letter # 13 Part 2
Designed to be pavlovian in nature, advertisers use certain songs to help people remember the product. These catchy little jingles do work. That’s all well and good. In fact, I want you to salivate differently and far more enjoyably than the intended method the marketing guru’s are etching into your mind.


For example, when I saw the Hummer commercial, I slapped my inner thigh and told my partner to lick. One of my best friends saw the same commercial advertising quite differently and went out and bought a Hummer.


If you are like me during the football season, you hate those long commercial breaks. Consider using the method of adding sexual words to the tune as a method of personal entertainment. I know those repetitive car commercials using Vivaldi’s Four Seasons won’t disappoint a creative mind. Your “December to Remember” could anything but the usual holiday cheer.


Adding a few choice repeatable phrases to the end of sentences during a boring lecture or stale church experience has often kept me engaged when I couldn’t really have cared less about the subject matter.


Mentally including the phrase “up the butt” or “in my box” at the end of the speaker’s sentence was a lip biter in some very inappropriate yet hilarious situations. Give it a try the next time you are stuck listening to a live re-enactment of Charlie Brown’s teacher.


Before radio and internet, the great composers wrote the “mood music” of their times. Can you imagine what thoughts were going through the minds of the classical, romantic period master composers when they wrote timeless, epic, sexual tunes? My own concept of get-your-freak-on is probably pretty lame compared to what these Masters composed by candle light.


The original lyrics in the famous christmas carol deck the halls, which was adapted from a brothel house jingle, were originally so inappropriate fa-la-la-la-la was used to replace them.


While we are constantly reminded that our current society is the pinnacle of knowledge – If we compare the iconic hallmarks showcasing the pinnacle of today’s society, (i.e.: Microsoft, Facebook, Instagram, AI, etc.) to historical icons such as Mozart and Beethoven, I actually think we probably lost a step or two.


Master the items from Letter #3 and creating your own lyrics to music in this part of Letter #13 before reading the next part of this letter.
Love you,
C. Change